Wednesday, 29 April 2015

Filled Under: , , , , ,

Foam Dyeing

Foam Dyeing

Foam Dyeing
Foam Dyeing
If there should be an occurrence of foam dyeing, the principle dyeing components is foam. For that is this coloring is called foam dyeing. A fabric is cushioned with a foam shaped from a fluid arrangement of a dyestuff, a foaming specialists and a transporter for the dyestuff and the cushioned fabric is kept up at raised temperatures to settle the color. The upsides of the procedure incorporate enhanced color prefixation, enhanced movement of the color into the fiber, higher shading yields in the fabric even after generally short coloring times and enhanced dimensional steadiness of the colored fabrics. 

foam is a scattering of a gas in a fluid. Here the fluid is by and large water and the gas is for the most part air yet it might likewise be an inactive gas. This is commonplace as post on brew shaving foam and so on.

Foam types:

Extensively there are two sorts of froth in particular

1. Scattering froth

2. Buildup froth

Materials Requirement for Froth Coloring:

- White fabric - cotton, rayon, silk or other characteristic fiber to color on

- Dharma Fiber Receptive MX colors

- Soda Ash Fixer

- Synthrapol

- Press containers to hold the colors

- Froth shaving cream, ideally containing aloe

- Level, shallow, plastic or metal dish

- Plastic blending dishes

- Wire whisk

-Tape

Necessities of Frothing Specialists:

It ought to produce froth promptly.

It ought to offer a decent wetting capacity.

It ought to apply quick a uniform wetting activity.

It ought to show practically zero impact on shading quickness.

It ought to be perfect with different results of the completing blend.

It ought to be minimum impact ed by water hardness.

It ought not bring about yellowing of white materials.

It ought to be effectively balanced out.

It ought to be equipped for delivering different air pocket sizes to meet particular prerequisites.

Foam Dyeing Strategy: 

1. Prewash the fabric in Synthrapol. This evacuates any oils or earth that may be on the fabric and issues you better color results.

2. Break down one glass pop fiery debris in one gallon of heated water. Absorb the fabric the pop slag answer for 5-10 minutes, wring gently and hang dry.

3. Break down your color powders (2 tsps. for hues without a *, 4 tsps. for hues with one *, 8 tsps. for hues with two *) in a little measure of warm water, blending into a smooth glue. Blend in 1/2 container tepid water. For reds and hues containing red, channel the color arrangement through an espresso channel or bit of silk to evacuate hard to disintegrate particles. Include 1/2 glass shaving cream to the sifted color arrangement, then empty this mixture into the press bottle.

4. Weaken about a large portion of a container of shaving cream with some water in an expansive blending dish. Whisk the mixture until all around mixed and thick and rich. Empty mixture into the plate until about an inch profound.

5. Squirt the color/shaving cream mixture over the shaving cream/water mixture in the plate in any example you wish. Utilize a brush, chopsticks, or any instrument to twirl and spread the color into any example sought.

6. Place a bit of the readied fabric on the surface of the shaving cream and color example. Evacuate any air rises by pushing down tenderly with an apparatus or a gloved hand.

7. Permit the fabric to sit on the surface of the color/shaving cream for 5 minutes, then evacuate fabric by lifting painstakingly. Place on a level surface shaving cream side up and permit to sit for 2 to 24 hours to build up the color. The piece needs to stay clammy for the actuation to occur.

8. Wash fabric in cool running water to evacuate the pop cinder, and afterward build temperature to hot. Keep on flushing until water is clear, then wash in high temp water and Synthrapol to evacuate any abundance color. Dry, press and voila!

0 comments:

Post a Comment